It has its own control window (on a hardware mixing desk this would be referred to as the centre or control room panel) and it offers all the features that you'd expect to find in a top-flight recording studio. Basically, the Control Room adds a significant monitoring layer between the main mix output and the physical soundcard outputs. This is a blindingly obvious omission from most music applications, and we've been hankering after such a thing for years. This enables you to solo channels during recording (to check for quality) without interrupting the headphone mix going to your artists.īest of all, though, is the wonderful new Control Room feature. There's now a Listen button on every mixer channel and a new PFL (Pre Fade Listen) function that's also switchable to AFL (After Fade Listen). As many of us expected, Cubase 4 features more technology from Nuendo, Steinberg's flagship broadcast/post production application. It's certainly a lot easier to see what's going on. The changes are actually quite subtle, but everything feels cleaner, simpler and just a little flatter than before. Launch Cubase 4 for the first time and you immediately notice that the user interface has been given a bit of a paint job.
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